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Part, Spiegel im Spiegel for Violin and Piano (Universal)
"Spiegel im Spiegel" is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds a cantilena in long note values, which grows out of succinct steps.
This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulates reflection, prayer or the desire for redemption. Jürgen Köchel
This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulates reflection, prayer or the desire for redemption. Jürgen Köchel
$639.69
Original: $2,132.29
-70%Part, Spiegel im Spiegel for Violin and Piano (Universal)—
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Description
"Spiegel im Spiegel" is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds a cantilena in long note values, which grows out of succinct steps.
This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulates reflection, prayer or the desire for redemption. Jürgen Köchel
This cantilena spins out sweeping, chorale-like arches and spreads itself out more and more. It thus gives rise to a new architectonic configuration which, like a mediation chapel, stimulates reflection, prayer or the desire for redemption. Jürgen Köchel
